Ben Wheatley’s Kill List (2011) is an odd film, at once ultra-violent and even-keeled, confused and focused, quiet and, thanks to expert sound design, deafening. While detail and precision give movies like The Wicker Man (1973) and Häxan (1923) their own special brand of disturbing, in Kill List, it’s the lack of detail, the haziness, the things you can’t figure out that make this film so bizarre and unsettling.